DEATH METAL MMXXI - Sammelthread

Neue AEON steht in den Startlöchern. Mal mit Hate Eternal vor vielen, vielen Jahre gesehen und für gut befunden. Mal guggn was das neue Album kann...

Vom Metal Blade Facebook:

Aeon - Swedish death metal launches new single, "Church Of Horror"; from their upcoming record, 'God Ends Here' - out Oct. 15th!
Listen/pre-order HERE: metalblade.com/aeon
- jewelcase-CD
- 180g black vinyl (EU exclusive)
- gold vinyl (EU exclusive - limited to 300 copies)
- orange w/ red splatter vinyl (EU exclusive - limited to 200 copies)
- gold / black melt vinyl (EU exclusive - limited to 200 copies)
- gold w/ black splatter vinyl (US exclusive)
God Ends Here track-listing
1. The Nihilist
2. Liar's Den
3. Let It Burn
4. Orpheus Indu Inferis
5. Church of Horror
6. Deny Them Eternity
7. Forsaker
8. Into the Void
9. God Ends Here
10. Severed
11. Just One Kill
12. Mephistopheles
13. Let the Torturing Begin
14. Despise the Cross
15. Overture: Magnum Reginae
16. Queen of Lies

webstore-image.jpg


Link zum Song: https://metalblade.com/aeon/?fbclid=IwAR0pi3_P8oHS139neKBBGA-nW4zPt4WfFrsOWysQZFecMHQHmJXHjx9KktY

bzw. Bandcamp: https://aeon666.bandcamp.com/album/god-ends-here
 
Das im neuen DF rezensierte Debut von Diabolizer finde ich bockstark. Schöne Abwechslung aus Geknüppel, Melodien und zwischendurch Midtempo, dazu eine saubere und trotzdem angenehm zu hörende Produktion. Einzig der Sänger könnte etwas mehr artikulieren, bei dem versteht man echt nix. Trotzdem eine grosse Überraschung und in diesem Jahr bisher eines meiner ganz grossen Highlights.
 
Neue, naja, erste APPARITION ("Feel") kommt noch dieses Jahr! Yeah!

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Veröffentlichung is für den 22.10. angesetzt. CD/LP kann ab Ende September vorbestellt werden.

1. Unequilibrium
2. Drowning In The Stream Of Consciousness
3. Nonlocality
4. Perpetually Altered
5. Entanglement
6. Feel

Den ersten Song gibt's bereits hier:
https://apparition23.bandcamp.com/album/feel
 
Ich fahr ja total auf Hades Unleashed von Temple of Dread ab. Bei den ostfriesischen Jungs passt alles, das Teil geht voll nach vorne los, kann aber auch immer wieder langsam und böse und dann noch der geile Gesang. Nochmal ne gute Steigerung zum eh schon recht guten Zweitling vom letzten Jahr.
Die musste ich mir auch gerade bestellen. Neulich schon mal reingelauscht und für gut befunden, war aber immernoch etwas am hadern, ob oder ob nicht.
Gerade eben nochmal via Tube gegeben -> B. Stellt
Das Teil fetzt ungemein.
 
Neue AEON steht in den Startlöchern. Mal mit Hate Eternal vor vielen, vielen Jahre gesehen und für gut befunden. Mal guggn was das neue Album kann...

Vom Metal Blade Facebook:

Aeon - Swedish death metal launches new single, "Church Of Horror"; from their upcoming record, 'God Ends Here' - out Oct. 15th!
Listen/pre-order HERE: metalblade.com/aeon
- jewelcase-CD
- 180g black vinyl (EU exclusive)
- gold vinyl (EU exclusive - limited to 300 copies)
- orange w/ red splatter vinyl (EU exclusive - limited to 200 copies)
- gold / black melt vinyl (EU exclusive - limited to 200 copies)
- gold w/ black splatter vinyl (US exclusive)
God Ends Here track-listing
1. The Nihilist
2. Liar's Den
3. Let It Burn
4. Orpheus Indu Inferis
5. Church of Horror
6. Deny Them Eternity
7. Forsaker
8. Into the Void
9. God Ends Here
10. Severed
11. Just One Kill
12. Mephistopheles
13. Let the Torturing Begin
14. Despise the Cross
15. Overture: Magnum Reginae
16. Queen of Lies

webstore-image.jpg


Link zum Song: https://metalblade.com/aeon/?fbclid=IwAR0pi3_P8oHS139neKBBGA-nW4zPt4WfFrsOWysQZFecMHQHmJXHjx9KktY

bzw. Bandcamp: https://aeon666.bandcamp.com/album/god-ends-here

Wollte auch gerade was dazu posten :D
Bin mega gespannt auf das Album. Aeons Black gehört zu meinen Alltime Faves im DM Bereich....Church of Horror scheint zumindest schonmal nahtlos an den neun Jahre alten Vorgänger anzuschließen.
Hab Bock drauf....Cd und Shirt werden aufjedenfall eingetütet.
 
Zuletzt bearbeitet:
Exanimatvm - Sollvm Ipsa Mor
Die Chilenen melden sich nach längerer Pause mit einer weiteren Metal of Death Grosstat zurück. Ffo Dead Congregation, Cruciamentum oder Incantation.
 
Zuletzt bearbeitet:
Das im neuen DF rezensierte Debut von Diabolizer finde ich bockstark. Schöne Abwechslung aus Geknüppel, Melodien und zwischendurch Midtempo, dazu eine saubere und trotzdem angenehm zu hörende Produktion. Einzig der Sänger könnte etwas mehr artikulieren, bei dem versteht man echt nix. Trotzdem eine grosse Überraschung und in diesem Jahr bisher eines meiner ganz grossen Highlights.
Merci für den Tipp. Ich finde es mit jedem Hördurchgang besser und inzwischen geht das Teil richtig ab hier.
 
Neue Mortiferum! Wenn nur ansatzweise das Niveau des Debüts gehalten wird, ein AOTY-Kandidat.

"On their sophomore album Preserved in Torment, Olympia WA’s doomed death metal unit MORTIFERUM push their penchant for dark, depraved, and disgusting dirges even further out into the periphery. Picking up where they left off with their Profound Lore debut Disgorged from Psychotic Depths, MORTIFERUM continue to mine the poisonous quagmire of classic American death metal, the warped visions of Finnish death metal, and the suffocating lurch of funeral doom for inspiration, but the resulting six tracks on Preserved in Torment operate on a larger scale, both in musical scope and in sheer crushing weight.

Recorded over the span of twelve days at Soundhouse in Seattle WA with Andrew Oswald at the engineering/mixing helm, Preserved in Torment finds MORTIFERUM expanding on the ominous atmospherics of their past work while simultaneously pushing and refining their work into even more vile and oppressive sonic territories. From the moment the album opens with “Eternal Procession,” the listener is laid to waste with the band’s monolithic siege, with impossibly heavy riffs and relentless mid-tempo drum barrages creating the aural equivalent of being trampled beneath the hooves of some unstoppable army. MORTIFERUM don’t shy away from long-form songwriting on Preserved in Torment, yet the band doesn’t waste a note in crafting their epic assaults. The eight-minute opus “Incubus of Bloodstained Visions” harnesses all of the band’s cataclysmic impulses even as they display an increased capacity for wretched harmonies, dynamic tempo shifts, and nimble fretwork, resulting in a composition that taps into prog rock ambitions without succumbing to the clinical perfectionism of progressive death metal virtuosos. They reassert their integrated devotion to both putrid riffs and foul melodicism on “Caudex of Flesh,” where troglodyte death metal impulses merge with the chasmic doom of classic Cathedral.

With guitarist/vocalist Max Bowman and guitarist Chase Slaker having cut their teeth in the death/grind outfit Bone Sickness and drummer Alex Mody having played in funeral doom group Ēōs, it only follows that MORTIFERUM would find a way to fuse their musical roots into a cohesive hybrid of grotesque savagery and glacial mass. While some credit must be paid to pioneers like Rippikoulu and Disembowelment, the band sees their sound as less indebted to past attempts at crosspollinating these disparate approaches and more as a result of organic gut-level intuition and a natural inclination towards musical experimentation. In a nod to the Pacific Northwest’s esteemed history of low-tuned slow-hand sludge, bassist Tony Wolfe further expands the group’s sound with thick slabs of gut-churning distorted bass. Paired with the continued cover art painting by Chase Slaker, MORTIFERUM create an all-encompassing sense of dread and morbidity that is distinctly their own.

releases November 5, 2021"

https://mortiferum.bandcamp.com/album/preserved-in-torment
a2023493628_10.jpg
 
Neue Mortiferum! Wenn nur ansatzweise das Niveau des Debüts gehalten wird, ein AOTY-Kandidat.

"On their sophomore album Preserved in Torment, Olympia WA’s doomed death metal unit MORTIFERUM push their penchant for dark, depraved, and disgusting dirges even further out into the periphery. Picking up where they left off with their Profound Lore debut Disgorged from Psychotic Depths, MORTIFERUM continue to mine the poisonous quagmire of classic American death metal, the warped visions of Finnish death metal, and the suffocating lurch of funeral doom for inspiration, but the resulting six tracks on Preserved in Torment operate on a larger scale, both in musical scope and in sheer crushing weight.

Recorded over the span of twelve days at Soundhouse in Seattle WA with Andrew Oswald at the engineering/mixing helm, Preserved in Torment finds MORTIFERUM expanding on the ominous atmospherics of their past work while simultaneously pushing and refining their work into even more vile and oppressive sonic territories. From the moment the album opens with “Eternal Procession,” the listener is laid to waste with the band’s monolithic siege, with impossibly heavy riffs and relentless mid-tempo drum barrages creating the aural equivalent of being trampled beneath the hooves of some unstoppable army. MORTIFERUM don’t shy away from long-form songwriting on Preserved in Torment, yet the band doesn’t waste a note in crafting their epic assaults. The eight-minute opus “Incubus of Bloodstained Visions” harnesses all of the band’s cataclysmic impulses even as they display an increased capacity for wretched harmonies, dynamic tempo shifts, and nimble fretwork, resulting in a composition that taps into prog rock ambitions without succumbing to the clinical perfectionism of progressive death metal virtuosos. They reassert their integrated devotion to both putrid riffs and foul melodicism on “Caudex of Flesh,” where troglodyte death metal impulses merge with the chasmic doom of classic Cathedral.

With guitarist/vocalist Max Bowman and guitarist Chase Slaker having cut their teeth in the death/grind outfit Bone Sickness and drummer Alex Mody having played in funeral doom group Ēōs, it only follows that MORTIFERUM would find a way to fuse their musical roots into a cohesive hybrid of grotesque savagery and glacial mass. While some credit must be paid to pioneers like Rippikoulu and Disembowelment, the band sees their sound as less indebted to past attempts at crosspollinating these disparate approaches and more as a result of organic gut-level intuition and a natural inclination towards musical experimentation. In a nod to the Pacific Northwest’s esteemed history of low-tuned slow-hand sludge, bassist Tony Wolfe further expands the group’s sound with thick slabs of gut-churning distorted bass. Paired with the continued cover art painting by Chase Slaker, MORTIFERUM create an all-encompassing sense of dread and morbidity that is distinctly their own.

releases November 5, 2021"

https://mortiferum.bandcamp.com/album/preserved-in-torment
a2023493628_10.jpg
Dieses Geschwurbel zu lesen dauert mittlerweile oft länger als das entsprechende Album zu hören...
 
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