Diabolvs was created in Chile in 2013 as an Old School Death Metal style band, with American, European and Latin influences. His guitarists Sergio Aravena and Rolando Castillo, began composing the music as a Home Studio project, which would later become his first studio EP album called Rite of Consecration. In his lineup also participated many musicians and friends of the old Chilean school, to finally complete his lineup with Claudio Carrasco in vocals and Fernando Leroy (Nomed Reburn) in Bateria. After several delays and a long work, finally in 2020 the project materializes with 6 songs loaded with brutal riffs accompanied by guitars with a lot of feeling, a devastating drums and guttural voices that close the composition and generation of a dark atmosphere.
The band's name comes from the tritone musical notes banned since the middle ages for causing horror and horror in people.
The creation of the cover of the EP was in charge of the Swedish artist Par Olofsson, responsible for magnificent graphic works of Immolation, Malevolent Creation and many others. The artwork clearly represents the theme of this band album, which includes a direct criticism of the crimes of the church and society since the beginning of time. For the mixing and mastering of Rite of Consecration, the Brazilian Sound Engineer Victor Hugo Targino worked, who managed to achieve the powerful sound of production. Vinyl and CD versions are also being prepared for Deathers who love those formats, which will be available in mid-2020. First abomination of this pact made by Fernando Leroy, Sergio Aravena, Rolando Castillo and Claudio Carrasco, who under the name of Diabolvs present their debut album called "Rite of Consecration".
With lyrics that speak about the abuses committed by the most disastrous institution in the history of humanity, this quartet performs an old-fashioned Death Metal, in which old glories such as Cannibal Corpse, Deicide (in the era of master Ralph Santolla) are invoked ), Morbid Angel plus certain aberrant touches of Immolation.
These "Rites of Consecration" are manifested in six feverish acts among which a fury is felt in the gutturals of Conde Carrasco. In my humble opinion the tracks to which more attention should be paid are: "Perpetual Sorrow", "Temple of Hypocrites" and "The Ancestral Spirits Claim Their Kingdom" for being the fastest and most merciless.
I can not fail to mention that the artwork for this manifesto was in charge of the Swedish Pär Olofsson and that the recordings were supervised by the Brazilian Victor Hugo Targino
A magnanimous debut that once again shows that in Chile Death Metal has excellent exponents ... more than recommended !!
Facebook: https://www.facebook.com/diabolv
Bandcamp: https://diabolvs.bandcamp.com/release
Instagram: "diabolvs.osdm"
tbh kann mich in den letzten zehn jahren nur an wenige sachen erinnern, die für mich an das niveau rangekommen sind. und glaub auch in den nächsten jahren wird es da für mich nicht viel geben.
Knutschi.
Hab ich da irgendwo was überlesen? Gibts da Infos?
Hmnn nice, ab 7. August gibt es das nächste Temple Nightside Album. Hoffe das wird so schweinegeil wie das Letzte. Aber die können kaum was falsch machen, da bin ich mir fast sicher.
Iron Bonehead via fb:
Today, Iron Bonehead Productions sets August 7th as the international release date for Temple Nightside's highly anticipated fourth album, Pillars of Damnation, on CD and vinyl LP formats.
By now, Temple Nightside require little to no introduction. Begun in 2010 by mainman IV - whose experience in the fertile Australian black metal underground is vast in itself - to explore a more blackened version of ancient death metal, the band's initially self-described "Ritualistic Death Metal Necromancy" eventually morphed into more atmospheric and more deeply cavernous shapes, culminating in 2016's critically acclaimed The Hecatomb. But such acclaim matters not to Temple Nightside, and the now-quartet next explored their past with the foul 'n' fascinating Recondemnation in 2018, which was a reimagining of their 2013 Condemnation debut album.
Their vision still boundless (and boundlessly BLACK), Temple Nightside return with the all-new Pillars of Damnation. Not for nothing is it titled as such: dense foundations of eldritch dread are both built around the listener and crushed by their hulking onslaught of sepulchral decibels. It's immediately and irrevocably Temple Nightside in their purest, most punishing form - bestial pulses evaporating into a smokestack-sized fog of frightening, palpable evil - but here rendered in a dexterously taut manner, and one even deceptively "anthemic" if you will. For where so much nowadays "cavernous death metal" slathers on lazy glazes of half-formed riff masquerading as "atmosphere," this Oz cult instead write RIFFS and their intensity has subsequently sharpened to a stultifying degree, lending a certain clarity to that evil that's even more intimidating. We'd be loathe to qualify this attack on Pillars of Damnation as "tighter" lest one think of popcorn-triggered "death metal," but it does give pause for reflection on this subtle-yet-radical development. Which is to say nothing of the closing 10-minute monolith "Damnation," which will BURY you...
In short, Temple Nightside are death metal necromancy of the highest order, more so now than ever - and forever shall they reign. Behold their Pillars of Damnation and pay fealty before your inevitable burial.
Begin burial preparations with the brand-new track "Death Eucharist" HERE
Coverartwork ist übrigens Killer!
Nach 6 Jahren gibt es eine neue Cauldron Black Ram über Qualitätslabel 20 Buck Spin:
https://listen.20buckspin.com/album/slaver
