Alben, die eine Neuauflage bekommen MÜSSEN.
- Ersteller exumer
- Erstellt am
Dying Victims Prod
Till Deaf Do Us Part
Im Dezember kommen zwei schöne Scheiben jeweils auf LP und CD:
DVP-R 008 Sortilège – Larmes de héros Box/LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the classic second album of France’s SORTILÈGE, Larmes de héros.
A cult fixture in the ‘80s French heavy metal scene that retroactively grew in legendry, SORTILÈGE defined a unique national style that had equal footing in the NWOBHM, contemporaneous hard rock, and nascent epic metal. Formed in 1981 and releasing a demo and EP over the new two years, it was SORTILÈGE’s 1984 debut album, Métamorphose – also concurrently released in an English-language version as Metamorphosis – that truly introduced the band to worldwide audiences with a wild ‘n’ weird iteration of heavy metal. While that English version made their unique style more palatable (helped in no small part by its release on Steamhammer), it’s arguably the French-language version that defined the SORTILÈGE sound. And so it went with its superior follow-up.
Again released in both French- and English-language versions, SORTILÈGE’s second album is a tour de force of true-metal passion and performance, mysticism and might. Blithely summarized as French romantic twist on Judas Priest’s transition from the ‘70s to the ‘80s – or, rather, spanning Sin After Sin to Defenders of the Faith – the original Larmes de héros was released in that golden year of 1986, harkening to a fantastical place far, far away where hot rockers bloomed into heroic-yet-tragic epics. The English version of Hero’s Tears plainly spells out the path ahead, but the dramatic (and oft-melancholic) vocals of Christian Augustin in his native language truly chill/sizzle the soul: a veritable French Metal God. Not to be outdone, his bandmates create a canvas at once anthemic and narrative; pacing is crucial across Larmes de héros, as more direct power-surges flank the album’s utterly immersive epic songs. And at nine songs across 46 minutes, you feel like you’ve undertaken a hero’s journey – but one not without a monumental amount of headbanging.
Tragically and too fittingly, Larmes de héros would be SORTILÈGE’s final studio album. A number of re-formations would happen over the next couple decades and then fizzle out, but the true SORTILÈGE died with Larmes de héros. Wipe away those hero’s tears, though, for RELICS FROM THE CRYPT at long last resurrects this stone-cold classic for posterity!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on Blue Jay vinyl, with insert, poster, sticker, post card, download code and patch.
– Limited Box set on milky clear vinyl, with insert, A1 sized poster, sticker, post card, woven patch, silkscreened backpatch, metal pin, posterflag and download code.
– CD edition with sticker and obi
Promo Medley Video: https://www.deaf-forever.de/medley-video-sortilege
DVP-R 009 Rampage – Veil of Mourn LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the cult lone album of Australia’s RAMPAGE, Veil of Mourn, along with a CD edition with both demos as bonus.
While there have been many Rampages past and present, there was only one RAMPAGE from Australia – and a more cult band you will not find. Formed in 1985, the band went through several lineup changes before recording their debut demo, Acid Storm, in July 1986. Recorded on a home 4-track, the demo sold well in their native Melbourne but failed to gain any interest. More lineup changes followed the next year, with a pre-production demo recorded as a prelude to their album, but once again, RAMPAGE failed to generate any record company interest. Then, in late 1987, the band recorded, produced, and financed their debut album, Veil of Mourn, which was more-or-less self-released in early 1988. Extensive touring across Melbourne, Sydney, Adelaide, Canberra, and Brisbane followed. Likewise, excellent record sales locally and overseas followed, but no interest from international record companies came. In May 1988, vocalist/guitarist George Mitrov rang bassist Dave Frew and advised that he had found God and would no longer have anything to do with the band; cancellation of all gigs followed. Then, later that year, Dave Frew (who had formed TYRUS with Peter Hobbs) and drummer Bruno Canzianni join Hobbs Angel of Death, and RAMPAGE effectively came to an end.
However, as a lone document of a band and era, RAMPAGE’s Veil of Mourn is superlative in every sense. There’s a distinct ruggedness to the band’s ceaselessly shifting style of thrash. Mind you, NOT necessarily “rawness” – although the album’s production certainly tends toward the rough – but RAMPAGE’s execution eschews the super-clean sharpness that thrash metal was largely heading toward in the post-Master of Puppets era. With form meeting content, the power-trio’s songwriting similarly takes all sorts of labyrinthine paths short of being qualified as “tech,” racing around and restarting with sometimes-maddening fury. Hooks thankfully abounded, and RAMPAGE’s attack undeniably possessed a death metalled underbelly not unlike Dark Angel or aforementioned Oz cult icons Hobbs Angel of Death. With that songwriting often reaching a fever pitch of diabolism and all three members barely keeping that fury in check, Veil of Mourn becomes a palpitating experience, a veritable ‘80s horror movie turned into a thrash record. The creepy cover art only heightened this sensation.
As years passed, the aura around Veil of Mourn only grew, helped in part by Australia’s ever-growing prominence in the extreme metal landscape. RAMPAGE thus became an etched-in-time “what could have been?” cult band, who respectably preserved their legacy with a mere album. Connect the dots to “the Australian sound” with this LONG-overdue reissue!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Promo Medley Video: https://www.deaf-forever.de/medleyvideo-rampage
DVP-R 008 Sortilège – Larmes de héros Box/LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the classic second album of France’s SORTILÈGE, Larmes de héros.
A cult fixture in the ‘80s French heavy metal scene that retroactively grew in legendry, SORTILÈGE defined a unique national style that had equal footing in the NWOBHM, contemporaneous hard rock, and nascent epic metal. Formed in 1981 and releasing a demo and EP over the new two years, it was SORTILÈGE’s 1984 debut album, Métamorphose – also concurrently released in an English-language version as Metamorphosis – that truly introduced the band to worldwide audiences with a wild ‘n’ weird iteration of heavy metal. While that English version made their unique style more palatable (helped in no small part by its release on Steamhammer), it’s arguably the French-language version that defined the SORTILÈGE sound. And so it went with its superior follow-up.
Again released in both French- and English-language versions, SORTILÈGE’s second album is a tour de force of true-metal passion and performance, mysticism and might. Blithely summarized as French romantic twist on Judas Priest’s transition from the ‘70s to the ‘80s – or, rather, spanning Sin After Sin to Defenders of the Faith – the original Larmes de héros was released in that golden year of 1986, harkening to a fantastical place far, far away where hot rockers bloomed into heroic-yet-tragic epics. The English version of Hero’s Tears plainly spells out the path ahead, but the dramatic (and oft-melancholic) vocals of Christian Augustin in his native language truly chill/sizzle the soul: a veritable French Metal God. Not to be outdone, his bandmates create a canvas at once anthemic and narrative; pacing is crucial across Larmes de héros, as more direct power-surges flank the album’s utterly immersive epic songs. And at nine songs across 46 minutes, you feel like you’ve undertaken a hero’s journey – but one not without a monumental amount of headbanging.
Tragically and too fittingly, Larmes de héros would be SORTILÈGE’s final studio album. A number of re-formations would happen over the next couple decades and then fizzle out, but the true SORTILÈGE died with Larmes de héros. Wipe away those hero’s tears, though, for RELICS FROM THE CRYPT at long last resurrects this stone-cold classic for posterity!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on Blue Jay vinyl, with insert, poster, sticker, post card, download code and patch.
– Limited Box set on milky clear vinyl, with insert, A1 sized poster, sticker, post card, woven patch, silkscreened backpatch, metal pin, posterflag and download code.
– CD edition with sticker and obi
Promo Medley Video: https://www.deaf-forever.de/medley-video-sortilege
DVP-R 009 Rampage – Veil of Mourn LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the cult lone album of Australia’s RAMPAGE, Veil of Mourn, along with a CD edition with both demos as bonus.
While there have been many Rampages past and present, there was only one RAMPAGE from Australia – and a more cult band you will not find. Formed in 1985, the band went through several lineup changes before recording their debut demo, Acid Storm, in July 1986. Recorded on a home 4-track, the demo sold well in their native Melbourne but failed to gain any interest. More lineup changes followed the next year, with a pre-production demo recorded as a prelude to their album, but once again, RAMPAGE failed to generate any record company interest. Then, in late 1987, the band recorded, produced, and financed their debut album, Veil of Mourn, which was more-or-less self-released in early 1988. Extensive touring across Melbourne, Sydney, Adelaide, Canberra, and Brisbane followed. Likewise, excellent record sales locally and overseas followed, but no interest from international record companies came. In May 1988, vocalist/guitarist George Mitrov rang bassist Dave Frew and advised that he had found God and would no longer have anything to do with the band; cancellation of all gigs followed. Then, later that year, Dave Frew (who had formed TYRUS with Peter Hobbs) and drummer Bruno Canzianni join Hobbs Angel of Death, and RAMPAGE effectively came to an end.
However, as a lone document of a band and era, RAMPAGE’s Veil of Mourn is superlative in every sense. There’s a distinct ruggedness to the band’s ceaselessly shifting style of thrash. Mind you, NOT necessarily “rawness” – although the album’s production certainly tends toward the rough – but RAMPAGE’s execution eschews the super-clean sharpness that thrash metal was largely heading toward in the post-Master of Puppets era. With form meeting content, the power-trio’s songwriting similarly takes all sorts of labyrinthine paths short of being qualified as “tech,” racing around and restarting with sometimes-maddening fury. Hooks thankfully abounded, and RAMPAGE’s attack undeniably possessed a death metalled underbelly not unlike Dark Angel or aforementioned Oz cult icons Hobbs Angel of Death. With that songwriting often reaching a fever pitch of diabolism and all three members barely keeping that fury in check, Veil of Mourn becomes a palpitating experience, a veritable ‘80s horror movie turned into a thrash record. The creepy cover art only heightened this sensation.
As years passed, the aura around Veil of Mourn only grew, helped in part by Australia’s ever-growing prominence in the extreme metal landscape. RAMPAGE thus became an etched-in-time “what could have been?” cult band, who respectably preserved their legacy with a mere album. Connect the dots to “the Australian sound” with this LONG-overdue reissue!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Promo Medley Video: https://www.deaf-forever.de/medleyvideo-rampage
Koenijo
Till Deaf Do Us Part
Die Sortilege Box ist die schon weg oder ist noch nicht eingestellt in Deinem Shop?Im Dezember kommen zwei schöne Scheiben jeweils auf LP und CD:
DVP-R 008 Sortilège – Larmes de héros Box/LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the classic second album of France’s SORTILÈGE, Larmes de héros.
A cult fixture in the ‘80s French heavy metal scene that retroactively grew in legendry, SORTILÈGE defined a unique national style that had equal footing in the NWOBHM, contemporaneous hard rock, and nascent epic metal. Formed in 1981 and releasing a demo and EP over the new two years, it was SORTILÈGE’s 1984 debut album, Métamorphose – also concurrently released in an English-language version as Metamorphosis – that truly introduced the band to worldwide audiences with a wild ‘n’ weird iteration of heavy metal. While that English version made their unique style more palatable (helped in no small part by its release on Steamhammer), it’s arguably the French-language version that defined the SORTILÈGE sound. And so it went with its superior follow-up.
Again released in both French- and English-language versions, SORTILÈGE’s second album is a tour de force of true-metal passion and performance, mysticism and might. Blithely summarized as French romantic twist on Judas Priest’s transition from the ‘70s to the ‘80s – or, rather, spanning Sin After Sin to Defenders of the Faith – the original Larmes de héros was released in that golden year of 1986, harkening to a fantastical place far, far away where hot rockers bloomed into heroic-yet-tragic epics. The English version of Hero’s Tears plainly spells out the path ahead, but the dramatic (and oft-melancholic) vocals of Christian Augustin in his native language truly chill/sizzle the soul: a veritable French Metal God. Not to be outdone, his bandmates create a canvas at once anthemic and narrative; pacing is crucial across Larmes de héros, as more direct power-surges flank the album’s utterly immersive epic songs. And at nine songs across 46 minutes, you feel like you’ve undertaken a hero’s journey – but one not without a monumental amount of headbanging.
Tragically and too fittingly, Larmes de héros would be SORTILÈGE’s final studio album. A number of re-formations would happen over the next couple decades and then fizzle out, but the true SORTILÈGE died with Larmes de héros. Wipe away those hero’s tears, though, for RELICS FROM THE CRYPT at long last resurrects this stone-cold classic for posterity!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on Blue Jay vinyl, with insert, poster, sticker, post card, download code and patch.
– Limited Box set on milky clear vinyl, with insert, A1 sized poster, sticker, post card, woven patch, silkscreened backpatch, metal pin, posterflag and download code.
– CD edition with sticker and obi
Promo Medley Video: https://www.deaf-forever.de/medley-video-sortilege
DVP-R 009 Rampage – Veil of Mourn LP/CD
RELICS FROM THE CRYPT, the sub-label of DYING VICTIMS PRODUCTIONS dedicated to keeping the past alive, is proud to present a long-overdue vinyl reissue of the cult lone album of Australia’s RAMPAGE, Veil of Mourn, along with a CD edition with both demos as bonus.
While there have been many Rampages past and present, there was only one RAMPAGE from Australia – and a more cult band you will not find. Formed in 1985, the band went through several lineup changes before recording their debut demo, Acid Storm, in July 1986. Recorded on a home 4-track, the demo sold well in their native Melbourne but failed to gain any interest. More lineup changes followed the next year, with a pre-production demo recorded as a prelude to their album, but once again, RAMPAGE failed to generate any record company interest. Then, in late 1987, the band recorded, produced, and financed their debut album, Veil of Mourn, which was more-or-less self-released in early 1988. Extensive touring across Melbourne, Sydney, Adelaide, Canberra, and Brisbane followed. Likewise, excellent record sales locally and overseas followed, but no interest from international record companies came. In May 1988, vocalist/guitarist George Mitrov rang bassist Dave Frew and advised that he had found God and would no longer have anything to do with the band; cancellation of all gigs followed. Then, later that year, Dave Frew (who had formed TYRUS with Peter Hobbs) and drummer Bruno Canzianni join Hobbs Angel of Death, and RAMPAGE effectively came to an end.
However, as a lone document of a band and era, RAMPAGE’s Veil of Mourn is superlative in every sense. There’s a distinct ruggedness to the band’s ceaselessly shifting style of thrash. Mind you, NOT necessarily “rawness” – although the album’s production certainly tends toward the rough – but RAMPAGE’s execution eschews the super-clean sharpness that thrash metal was largely heading toward in the post-Master of Puppets era. With form meeting content, the power-trio’s songwriting similarly takes all sorts of labyrinthine paths short of being qualified as “tech,” racing around and restarting with sometimes-maddening fury. Hooks thankfully abounded, and RAMPAGE’s attack undeniably possessed a death metalled underbelly not unlike Dark Angel or aforementioned Oz cult icons Hobbs Angel of Death. With that songwriting often reaching a fever pitch of diabolism and all three members barely keeping that fury in check, Veil of Mourn becomes a palpitating experience, a veritable ‘80s horror movie turned into a thrash record. The creepy cover art only heightened this sensation.
As years passed, the aura around Veil of Mourn only grew, helped in part by Australia’s ever-growing prominence in the extreme metal landscape. RAMPAGE thus became an etched-in-time “what could have been?” cult band, who respectably preserved their legacy with a mere album. Connect the dots to “the Australian sound” with this LONG-overdue reissue!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Promo Medley Video: https://www.deaf-forever.de/medleyvideo-rampage
Edith: Ich habe mir jetzt einfach die mit dem blauen Vinyl bestellt.
Zuletzt bearbeitet:
The Metallian
Till Deaf Do Us Part
Wenn es noch einen Markt dafür gibt, wäre es super, wenn die wichtigsten 10 Alben
von Gary Moore ( G-Force, Fingers, Corridoors,, Marquee, Victims, We Want, Run, Rockin', Frontier und War)
mit den technischen Möglichkeiten von 2022/2023 remastered werden.
von Gary Moore ( G-Force, Fingers, Corridoors,, Marquee, Victims, We Want, Run, Rockin', Frontier und War)
mit den technischen Möglichkeiten von 2022/2023 remastered werden.
Opa Hoppenstedt
Till Deaf Do Us Part
Da sich ja im Hause Depressive Age wieder was tut, würde ich es absolut begrüßen, wenn die bisherigen Alben der Band, namentlich "First Depression", "Lying in Wait" "Symbols for the Blue Times" und "Electric Scum" zeitnah eine Neuauflage erfahren würden.
Zuletzt bearbeitet:
Frank2
Till Deaf Do Us Part
Da wäre ich schwerstens dafür.
Letztens nochmal die "Run for Cover" und "Wild Frontiers" gehört.
Unabhängig von der musikalischen Klasse klingen die für heutige
Hörgewohnheiten schon ziemlich grenzwertig.
Thalon
Till Deaf Do Us Part
Metal Blade hat die Tage die Downloads zu den beiden Liege Lord Alben "Burn to my touch" und "Master Control" online gestellt. Weiß jemand, ob auch körperliche Wiederveröffentlichungen folgen sollen? Auf der Seite von Metal Blade habe ich dazu bisher nichts gefunden.
IronMike
Deaf Dealer
Die wurden doch schon mal remastert.
Würde ein neues Mastering noch mal eine signifikante Verbesserung bringen?
(Bin Laie, kenne mich da nicht so aus).
Black Future
Till Deaf Do Us Part
Ich vermisse gerade schmerzlich bezahlbare Versionen von Virtue - we stand to fight und Satans Hallow
Buddy Graves
Till Deaf Do Us Part
Derzeit hab ich wieder viel Freude am Vinyl und auch am Kaufen/Sammeln, weil sich manchmal zeigt,dass es auch unterhalb der gängigen Preissegmente geht. Leider gibt es einige Objekte meiner Begierde nur für ein Vermögen,somit wären Neuauflagen erwünscht:
The Tea Party
"The Edges Of Twilight"
And Also The Trees
"The Klaxon:
Dream Theater
"Awake"
The Tea Party
"The Edges Of Twilight"
And Also The Trees
"The Klaxon:
Dream Theater
"Awake"
Stormrider
Till Deaf Do Us Part
Gab's irgendow schonmal eine Neuauflage der Blitzz Mini LP/EP ?
Evilmastant
Deaf Dealer
Neudi (und damit Golden Core) haben sich endlich einer meiner meistgewünschten Wiederveröffentlichung angenommen. Der Russen Boot kann somit entsorgt werden. Zu dem regulären Album gibt es noch 8 Demoaufnahmen der späteren Secrecy.
Vielen Dank!
Weitere Infos: https://zyx.de/produkt/sweet-cheater-immortal-instant/
Thalon
Till Deaf Do Us Part
Das ist ja mal echt ein Schnapper. Echt heftig.
... Ich lieb das Album!!!!
Will es auch schon ewig im Orginal haben, joa...
Petzi
Deaf Dealer
Am 27. 1 erscheint die Reissue von Burn to My Touch und Master Control auf Metal Blade. Bis auf die Farbvarianten gibt es wohl keinen Unterschied zum Original. Wer die Originale nicht ohnehin schon im heimischen USPM-Schaukasten stehen hat, hat nun die Möglichkeit.
ori
Till Deaf Do Us Part
Heute auch schon bei HRR gesehen. Aber… mir fehlt doch die erste.
Thalon
Till Deaf Do Us Part
Sind bestellt. Man muss nur warten können
Börje Lokisson
Deaf Leppard
Wer weiss, vielleicht schlagen Cult Metal Classics ja mal zu. Die haben ja bald die beiden Chicago SORCERY Alben am Start. Das Debüt hab ich als Monster Records Reissue, aber bei CMC mit Bonustracks lang ich nochmal hin. Und die zweite Scheibe gab es ja noch nie.
... Ich lieb das Album!!!!
Will es auch schon ewig im Orginal haben, joa...
Ansonsten wäre ich für
Cool Feet - Burning Desire (Luxemburg,1976)
Wie die damaligen Scorpions, nur noch mehr Metal.
Lester Maddox - Gothic Lore und Burning The World live
Ich hab zwar erstere als LP, aber mit blöder Welle, mein Tonarm springt beim ersten Song.
Dann eventuell noch Salem's Wych.
Ja, Wunschtraum...
Spartan Warrior - Steel'n'chains
Dyoxen - First among equals
Mir fallen da einige ein...
