D
deleted_1381
Guest
Inspired by Master's Hammer's The Jilemnice Occultist, which is a black metal operetta with a story about romance and witchcraft,
CULTES DES GHOULES wanted to write something similar but with more serious intent and without any "romance" themes.
And with time, it evolved into the form that's finally revealed to the public.
Essentially, Coven sonically and especially (lyrically) illustrates a spiritual quest and the wish of death - death to a mundane world of moral laws and social conventions and shallow existences. It comprises a whole cast of characters - an actual dramatis personae, in the manner of a traditional play - whose innermost thoughts and outermost deeds are given life by the devilish throat of CULTES DES GHOULES. Each of the five songs is a whole "act" in itself, travelling across tension and cresting to high drama. Suitably, the music follows in kind, encompassing the band's trademark teeth-gnashing gnarliness to more dynamic - and, yes, dramatic - iterations of what were mere sonic suggestions in past, particularly in swaggering Sabbathian groove. That the band moves so freely across such a relatively wide swath of (super-)sonic terrain isn't so surprising as how effortlessly they do so, mirroring the myriad characters who bind the Coven. Olde tyme rock 'n' roll? Not exactly, but it's as patently diabolical as the medieval devil-worship CULTES DES GHOULES have been slavishly devoted to lo these many years.
