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Das behalte ich jetzt im Auge. Asimov mit seinen Foundation- und Roboterzyklus sind absolute Klassiker und waren für mich seinerzeit DER Einstieg in SF schlechthin.In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance’s David Ellison, Dana Goldberg and Marcy Ross also will executive produce.
http://deadline.com/2018/04/apple-i...avid-goyer-josh-friedman-skydance-1202361072/
Ich habe die Foundation-Trilogie, und ich muß mir jetzt überlegen, ob ich mir die als Nächstes antue oder noch ein wenig warte, weil ich noch andere Klassiker in meinem Portfolio habe:Das behalte ich jetzt im Auge. Asimov mit seinen Foundation- und Roboterzyklus sind absolute Klassiker und waren für mich seinerzeit DER Einstieg in SF schlechthin.
Ja, das Problem habe ich auch. Von den Sachen die du aufgelistet hast, kenne ich nur "Dune" (halte ich persönlich für überwertet, jaja, steinigt mich ), "Die drei Sonnen" haben mich auch nicht ganz überzeugt, dafür aber LeGuinIch habe die Foundation-Trilogie, und ich muß mir jetzt überlegen, ob ich mir die als Nächstes antue oder noch ein wenig warte, weil ich noch andere Klassiker in meinem Portfolio habe:
Frank Herbert "Dune"
Alastair Reynolds "Okular" (als Einstieg)
Ursula K. LeGuin "Die linke Hand der Dunkelheit"
Larry Niven "Ringwelt III und IV"
Cixin Liu "Die drei Sonnen"
Lois McMaster Bujold "Barrayar-Zyklus", komplett
u. v. a.
So viel zu lesen, so wenig Zeit...
Wen überzeugt LeGuin nicht? "Freie Geister", das Re-Release von "Planet der Habenichtse" überzeugt ja komplett. Gut geschrieben, Charakter der handelnden Personen und äußere Umstände auf den Punkt gebracht.Ja, das Problem habe ich auch. Von den Sachen die du aufgelistet hast, kenne ich nur "Dune" (halte ich persönlich für überwertet, jaja, steinigt mich ), "Die drei Sonnen" haben mich auch nicht ganz überzeugt, dafür aber LeGuin
Ergo: Ich würde mit Asimov oder LeGuin anfangen
A Quiet Place writer-director John Krasinski has signed onto the upcoming film Life of Mars. The movie will adapt Shade, The Changing Girl writer Cecil Castellucci’s short story “We Have Always Lived on Mars,” which is illustrated by Carl Wiens.
According to The Hollywood Reporter, Krasinski will produce the project with his Quiet Place team, which includes Michael Bay, Andrew Form and Brad Fuller. Allyson Seeger will also produce. He isn’t expected to star in the film. The project, which Paramount is in negotiations to pick up, is still searching for a writer.
Castellucci’s “We Have Always Lived on Mars” is a sci-fi piece that takes place in a future where humans settled on Mars after Earth suffered a cataclysmic event. It follows the descendants of this abandoned Martian colony. Their world changes when one woman discovers she can breathe on Mars without assistance.
That’s OK, because not every sci-fi reboot needs to be a complex allegory. Sometimes, an entertaining, edge-of-our-seats adventure is precisely what we want — and Lost in Space delivers.
Erklärt auch, warum JJ Abrams diesen Ansatz für die Filme wählte.A last-minute arrival of the USS Enterprise in the season finale of Star Trek: Discovery was a big surprise for fans. But perhaps even ore surprising is the fact that the iconic ship’s design had to be altered for legal reasons.
Much more than some simple fan service, the appearance of Captain Pike’s Enterprise conveniently set up the second season of Discovery and a much bigger version of the already expansive Prime Universe. However, if viewers looked closely enough, they might notice that Discovery‘s Enterprise wasn’t quite like the original.
“Back in April of 2017 the task of the Enterprise making an appearance came to be and work was to start right away,” designer John Eaves explained in post on Facebook. “The task started with the guideline that the Enterprise for Discovery had to be 25% different otherwise production would have most likely been able to use the original design from the 60’s but that couldn’t happen so we took Jefferies original concepts and with great care tried to be as faithful as possible. We had the advantage of a ten-year gap in Trek history to retro the ship a bit with elements that could be removed and replaced somewhere in the time frame of Discovery and the Original series.”
The Jefferies design referred to is the one that was used on TOS, which as Eaves went on to explain, led to a legal predicament for when coming up with Discovery‘s prequel version.
“After Enterprise, properties of Star Trek ownership changed hands and was divided, so what was able to cross TV shows up to that point changed and a lot of the crossover was no longer allowed. That is why when JJ [Abrams]’s movie came along everything had to be different. The alternate universe concept was what really made that movie happen in a way as to not cross the new boundaries and give Trek a new footing to continue.”
Amazon Studios is developing Jonathan Hickman’s East of West and Transhuman as hourlong dramas for the streaming service.
According to Deadline, Hickman himself will write the adaptation of East of West, though there’s no one currently slated to adapt Transhuman. Both series will be executive produced by Robert Kirkman and Skybound Entertainment, who have a first-look deal with Amazon Studios. Artists Nick Dragotta (East of West) and J.M. Ringuet (Transhuman) will also serve as producers on the two projects.
“Nick, J.M. and I couldn’t be more excited to be working with Skybound and Amazon,” Hickman said. “We feel very strongly about each project and couldn’t be more appreciative of how far both companies have gone to make us feel welcome. We look forward to doing the work and hopefully doing it well.”
First released in 2013, East of West is set in a dystopian future and follows Death, one of the Four Horsemen of the Apocalypse, on a quest for vengeance. Transhuman, which Hickman and Ringuet published in 2008, is set in a future in which corporations compete to genetically engineer and enhance humans. Both comics were originally published by Image.
Ich hab den ersten davon bis heute nicht einmal sehen wollen.Pacific Rim 2 = Mist.
Ich hab den ersten davon bis heute nicht einmal sehen wollen.
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