Exhorder - Slaughter In The Vatican
- Ersteller Alkintoxikation
- Erstellt am
Crystal Mountain
Till Deaf Do Us Part
... könnte mir gut vorstellen, dass NB im Kontext des neuen Albums damit um die Ecke kommen.
D
deleted_227
Guest
Ein erster Song vom neuen Album, das von Nuclear Blast im September veröffentlicht wird, ist via Spotify&Co. verfügbar. Wirkt sehr altersmilde, streckenweise gewöhnungsbedürftig und hat definitiv nichts mit den beiden ersten Alben zu tun. Erste Assoziation: Klingt halt mehr nach Pantera zwischen Cowboys& Vulgar Minus das angepisste.
Restless_Breed
Till Deaf Do Us Part
Wer erwartet hier denn auch ernsthaft Großes?!
Siebi
Till Deaf Do Us Part
Ohne einen neuen Ton zu kennen, interessiert mich dank oft auftretender Reunionscheibenphobie nicht weiter, die Frage, warum müssen alte verdiente Recken eine Leiche auf Scheibe wiederbeleben? Gehen Exhorder ab sofort durch die Decke? Mich würde der Businessplan der Band bzw. Bandchefs und des Labels interessieren. Verdient man mit der Band hinreichend Geld zum alltäglichen (Über)Lebensbedarf? Oder nur aus Spaß an der Freud'? Würde gern ein Statement zur Ansicht und Erwartungshaltung NBs hören. Eine reine Hobbyband bei einem großen Konzern kann ich mir schlecht vorstellen. Obwohl, Heathen und Possessed sind wohl auch nicht die großen Seller des Branchenriesen. Eine Staiger-Herzenssache? Wäre angenehm abseits des klassischen Businessgedöns'.
somethingwild
Till Deaf Do Us Part
Noch n paar Infos zum Album:
NOLA thrash metal legends EXHORDER have announced plans to release their first album in 27 years, Mourn The Southern Skies, on September 20th with Nuclear Blast Records.
The New Orleans natives made their long-awaited return last year with a string of reunion shows and festival appearances, and now are launching a full-on comeback with the impending release of Mourn The Southern Skies. Recorded by Duane Simoneaux at OCD Recording and Production and working with producer Jens Bogren (AMON AMARTH, OPETH, SEPULTURA) at Fascination Street Studios in Sweden for mix/master, EXHORDER is armed with more fury and vigor than bands half their age, concocting an intoxicating amalgam of old school thrashers and groovers blended with a modern, mature approach.
From the opening of the first track of Mourn The Southern Skies, listeners are reminded immediately just what EXHORDER is exactly through the spitting rage "My Time" forces upon their ears. It is evident that the anger remains prevalent, with perhaps a different point of view that younger men could not possibly have understood on earlier albums. Sasha Horn's energy and punk influence fire the engines, with Jason VieBrooks locking down the foundation tightly. Vinnie La Bella once again has proven himself "The Godfather" of thrash riffs, which cut through like a high speed drill bit thanks to the stellar production. A lead guitar face-off in the solo not only exhibits Vinnie's sometimes under-appreciated skills as a shredder, but also showcases newcomer Marzi Montazeri (“The High Priest of Distortion"). If anyone ever doubted EXHORDER's skill set regarding guitar soloing, those days are gone forever! And finally, as if riding a runaway garbage truck with fireworks exploding off of its roof top, Kyle Thomas invokes venom and energy with familiar passion. All in all, the truth is apparent – EXHORDER mean business once again!
EXHORDER’s founding guitarist Vinnie La Bella says of their resurgence, “You can plot and scheme for years, even decades (as is in our case). You can work hard, keep grinding, bang the square peg in the round hole until it looks somewhat presentable. But sometimes you just need to let time tell you, it's time. Exhorder has its own soul. And it pokes me in the ribs ever so often as if to remind me, 'Hey asshole, we ain't done yet!' Kyle and myself had a dream as teenagers. And as cliche as it may seem, we never woke up from it. Exhorder has always crept in and out of our lives. So no magic bullet or formula here. It was only a simple matter of time before the right guys, the right songs, the right manager/label would finally come to the party. It's been damn near 35 years since we first uttered the name, Exhorder. 27 years since our last record, and a whole lot of breaking up and making up in between. So why is this time different? Why start again at 50 years of age instead of retiring? Simple... because it’s finally, TIME!"
EXHORDER’s enduring legacy began in the mid-80’s when they defined the sound of Louisiana thrash and groove metal. Their initial formation was short lived, lasting nearly a decade with two critically acclaimed, classic albums, but their impact on the metal genre can be felt through a generation of bands that followed. EXHORDER dissolved in the mid-90’s but briefling reunited in 2011. Now, the band has returned to reclaim their throne of NOLA metal with their awaited new album and an all-star line-up that includes Kyle Thomas (founding vocalist; TROUBLE, HEAVY AS TEXAS), Vinnie La Bella (founding guitarist), Marzi Montazeri (guitarist; ex-SUPERJOINT RITUAL, ex-PHIL ANSELMO & THE ILLEGALS, HEAVY AS TEXAS), Jason VieBrooks (bassist since 2011; HEATHEN, GRIP INC.) and Sasha Horn (drummer; FORBIDDEN).
Mourn The Southern Skies Tracklisting:
1. My Time ()
2. Asunder
3. Hallowed Sounds
4. Beware the Wolf
5. Yesterday’s Bones
6. All She Wrote
7. Rumination
8. The Arms of Man
9. Ripping Flesh
10. Mourn the Southern Skies
Der neue Track klingt wie ne Mischung aus neueren Exodus und Testament sowie eben Pantera, finde ich.
Edit: was sind denn das für Lyrics?
NOLA thrash metal legends EXHORDER have announced plans to release their first album in 27 years, Mourn The Southern Skies, on September 20th with Nuclear Blast Records.
The New Orleans natives made their long-awaited return last year with a string of reunion shows and festival appearances, and now are launching a full-on comeback with the impending release of Mourn The Southern Skies. Recorded by Duane Simoneaux at OCD Recording and Production and working with producer Jens Bogren (AMON AMARTH, OPETH, SEPULTURA) at Fascination Street Studios in Sweden for mix/master, EXHORDER is armed with more fury and vigor than bands half their age, concocting an intoxicating amalgam of old school thrashers and groovers blended with a modern, mature approach.
From the opening of the first track of Mourn The Southern Skies, listeners are reminded immediately just what EXHORDER is exactly through the spitting rage "My Time" forces upon their ears. It is evident that the anger remains prevalent, with perhaps a different point of view that younger men could not possibly have understood on earlier albums. Sasha Horn's energy and punk influence fire the engines, with Jason VieBrooks locking down the foundation tightly. Vinnie La Bella once again has proven himself "The Godfather" of thrash riffs, which cut through like a high speed drill bit thanks to the stellar production. A lead guitar face-off in the solo not only exhibits Vinnie's sometimes under-appreciated skills as a shredder, but also showcases newcomer Marzi Montazeri (“The High Priest of Distortion"). If anyone ever doubted EXHORDER's skill set regarding guitar soloing, those days are gone forever! And finally, as if riding a runaway garbage truck with fireworks exploding off of its roof top, Kyle Thomas invokes venom and energy with familiar passion. All in all, the truth is apparent – EXHORDER mean business once again!
EXHORDER’s founding guitarist Vinnie La Bella says of their resurgence, “You can plot and scheme for years, even decades (as is in our case). You can work hard, keep grinding, bang the square peg in the round hole until it looks somewhat presentable. But sometimes you just need to let time tell you, it's time. Exhorder has its own soul. And it pokes me in the ribs ever so often as if to remind me, 'Hey asshole, we ain't done yet!' Kyle and myself had a dream as teenagers. And as cliche as it may seem, we never woke up from it. Exhorder has always crept in and out of our lives. So no magic bullet or formula here. It was only a simple matter of time before the right guys, the right songs, the right manager/label would finally come to the party. It's been damn near 35 years since we first uttered the name, Exhorder. 27 years since our last record, and a whole lot of breaking up and making up in between. So why is this time different? Why start again at 50 years of age instead of retiring? Simple... because it’s finally, TIME!"
EXHORDER’s enduring legacy began in the mid-80’s when they defined the sound of Louisiana thrash and groove metal. Their initial formation was short lived, lasting nearly a decade with two critically acclaimed, classic albums, but their impact on the metal genre can be felt through a generation of bands that followed. EXHORDER dissolved in the mid-90’s but briefling reunited in 2011. Now, the band has returned to reclaim their throne of NOLA metal with their awaited new album and an all-star line-up that includes Kyle Thomas (founding vocalist; TROUBLE, HEAVY AS TEXAS), Vinnie La Bella (founding guitarist), Marzi Montazeri (guitarist; ex-SUPERJOINT RITUAL, ex-PHIL ANSELMO & THE ILLEGALS, HEAVY AS TEXAS), Jason VieBrooks (bassist since 2011; HEATHEN, GRIP INC.) and Sasha Horn (drummer; FORBIDDEN).
Mourn The Southern Skies Tracklisting:
1. My Time ()
2. Asunder
3. Hallowed Sounds
4. Beware the Wolf
5. Yesterday’s Bones
6. All She Wrote
7. Rumination
8. The Arms of Man
9. Ripping Flesh
10. Mourn the Southern Skies
Der neue Track klingt wie ne Mischung aus neueren Exodus und Testament sowie eben Pantera, finde ich.
Edit: was sind denn das für Lyrics?
Zuletzt bearbeitet:
giant squid
Till Deaf Do Us Part
Ein erster Song vom neuen Album, das von Nuclear Blast im September veröffentlicht wird, ist via Spotify&Co. verfügbar. Wirkt sehr altersmilde, streckenweise gewöhnungsbedürftig und hat definitiv nichts mit den beiden ersten Alben zu tun. Erste Assoziation: Klingt halt mehr nach Pantera zwischen Cowboys& Vulgar Minus das angepisste.
Nicht, dass ich Pantera gerade zu der Zeit nicht geil fand, aber ohne angepisst ist ja mal eher Kuschelkätzchen und nicht Tiger
Black_Veil
Till Deaf Do Us Part
Bei meinem "The Law"-Album hat sich eine kleine Kuriosität eingeschlichen. Auf dem ... dem ..., ja wie
nennt man das bei der Vinylhülle, wenn man bei einem Buch den Buchrücken meint? Egal, jedenfalls
steht auf dem "Vinylrücken" "Slaughter in the vatican" und nicht "The Law".
Habe ich jetzt ein ultrarares und ein supiteures Exemplar? *lol*
nennt man das bei der Vinylhülle, wenn man bei einem Buch den Buchrücken meint? Egal, jedenfalls
steht auf dem "Vinylrücken" "Slaughter in the vatican" und nicht "The Law".
Habe ich jetzt ein ultrarares und ein supiteures Exemplar? *lol*
zopilote
Till Deaf Do Us Part
Ich muss dich enttäuschen.
Grade meine Sammlung nach Dopplungen durchsucht - auf der Rückseite meines "The Law"-Rerelease steht "Slaughter in the Vatican"
Black_Veil
Till Deaf Do Us Part
Wahrscheinlich passt sich die Qualität der Musik der des Covers an...
Unzutreffend.
Cyclone
Deaf Dealer
Weil?
Restless_Breed
Till Deaf Do Us Part
... wahrscheinlich das Cover noch das Beste an der Scheibe ist...
DeadRabbit
Till Deaf Do Us Part
Quatsch.
Black_Veil
Till Deaf Do Us Part
Das ist eines der brutalsten und hasserfülltesten Alben der Thrash Metal Geschichte.
Die Gitarrenriffs sind meesserscharf präzise, das Drumming von einem anderen Stern.
Und Kyle Thomas mutiert am Mikro zu einem tollwütigen Tier.
Dagegen sehen Slayer stellenweise recht blass aus.
Cyclone
Deaf Dealer
Cyclone
Deaf Dealer
Dies befürchte ich ebenfalls
D
deleted_53
Guest
Ein erster Song vom neuen Album, das von Nuclear Blast im September veröffentlicht wird, ist via Spotify&Co. verfügbar. Wirkt sehr altersmilde, streckenweise gewöhnungsbedürftig und hat definitiv nichts mit den beiden ersten Alben zu tun. Erste Assoziation: Klingt halt mehr nach Pantera zwischen Cowboys& Vulgar Minus das angepisste.
Find's uninspiriert und öde und Thomas dort wie eine Perle vor den Säuen. Und damit finde ich das sehr schade, weil: live waren Exhorder ein Burner.
Restless_Breed
Till Deaf Do Us Part
Auf dem Turock Open Air 2018 fanden wir sie eher durchwachsen. Ungefähr so, wie der neue Song.