HELVETETS PORT - From Life to Death

Analogue Rogue

Deaf Dealer
Bezeichnenderweise existiert hier noch kein HELVETETS PORT Thread, dieses Problem löse ich hiermit.

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Nach dem Debut-Album "Exodus to Hell" von 2009 und der "Man with the Chains" EP von 2010 folgt nun 2019 endlich das zweite Album. Und weil die Wartezeit so lange war, ist es als Entschädigung eine LP plus MLP geworden.

HELVETETS PORT - From Life to Death

LP - Side A
01 Stan Brinner
02 The Invincible
03 Röda Nejlikan
04 Ruled with an Iron Hand

LP - Side B
05 Hård Mot De Hårda
06 Man-At-Arms
07 White Diamond
08 Hero of an Age
09 Die to Stay Alive

MLP - Side A
01 From Life to Death
02 Orions Bälte

MLP - Side B
03 Castle Walls, City Gates
04 Thunder Ace
05 Night of the Innocent

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2 Tracks gibt es schon zu hören:

STANN BRINNER

THUNDER ACE
https://youtu.be/O0Fc75Wma70
 
Ein paar aktuelle Background-Infos gibts in diesem Interview, kopiert von der High Roller Seite.


It’s been a while. »Exodus To Hell«, Helvetets Port’s debut album, was issued in 2009, the 12” EP »Man With The Chains« a year later. Almost a decade on, Gothenburg’s finest are about to issue their second album »From Life To Death« on High Roller Records.
Lead singer Witchfinder explains the long gap between the two records: “The last show before the hiatus was in December 2011, and then we got going again in 2014. So in reality the break wasn't super long, even though it seems that way given the time between releases. The band was never officially over, but I guess we kind of needed a break and then a fresh start. I think having a break serves as a reminder later on that you really don't want to not be playing heavy metal.” Not surprisingly, in the interim between 2010 and 2019 there have been a few line-up changes: “Yes, in 2015 Virgin Killer joined on guitar, and Witchfinder started doing vocals only. Then in 2018 Inquisitor quit the band and Earthquake took over on bass.”
If you compare the 14 songs on »From Life To Death« with the band’s debut »Exodus To Hell«, the difference couldn’t be more evident: Helvetets Port in 2019 is a much more accomplished band. Singer Witchfinder explains in more detail: “When we got back together again in 2014, we started gathering some material for an album and began writing some new stuff. Two of the songs were written around 2008 and there are some old parts used for other songs; one riff is even older than anything we have released previously. Although most of the material was written around 2014-2016. It's kind of a wrapping up of our entire career thus far. We also wanted to make a really vast presentation since we've been away for so long. We've spent a lot more time with the recording and have grown as musicians this time around, and also got some new talent in the band.”
Musically it's also a much more adventurous and more versatile record. Will the fans cherish Helvetets Port’s new approach? Witchfinder thinks so: “The wonderful thing about classic 80s heavy metal, narrowed-down as the words may seem, is that it can have so many different facets and still not stray from the path. As long as you are into the genre, you find that it's very versatile. And with a profound understanding of it, you can branch out and never lose the spirit.”
Does the new album have some kind of an underlying (lyrical and/or musical) concept at all then? “One might say that lyrically, there's no real underlying theme,” reflects Helvetets Port’s vocalist. “However, musically it's toward the medieval, epic style so to speak, which inevitably also reflects in much of the lyrics. And visually as you can see it's an Egyptian theme, which also applies to a couple of the songs.”
Are Helvetets Port influenced first and foremost by home grown Swedish bands, obscure Swedish bands? For example by the original early 1980s Grave, who put out only one 7” single (sounding a bit like the Swedish Deep Purple). And there is also a band called Neon Rose, who recorded several damned heavy hard rock albums from the mid-70s on … Witchfinder tries to explain: “The basic influences are bands like Gotham City and Heavy Load, when it comes to the general feeling of the music. At the same time you can say there's a plethora of different influences all converging into one big broad idea of what heavy metal can be all about. Sometimes you can also be influenced by a band that is really difficult to approximate. For example, I think a lot about both the bands called Tyrant from the UK, and Zone Zero from Sweden, although I've never written a song that sounds like them (to my knowledge).”
As the metal underground scene changed quite a bit between 2009 and 2019, what are Hevetets Port’s expectations regarding the new album? “The biggest change is that there are more 70s influences going around nowadays,” hits Witchfinder the nail right on the head. “But classic heavy metal has always been here to stay, and we're gonna make sure of it. We are virtually unmovable by the passage of time. We would have to live to be 500 years old before the concept of classic heavy metal is depleted. We have our own spirit/style and are confident that what we do is always permeated by it. With this album we expect to reassure these notions.”
When Helvetets Port originally started out, bands like RAM, Enforcer, Skull Fist, let alone High Spirits or Night Demon, did not even exist. So would it be fair to say that Helvetets Port were one of the originators of the return of traditional heavy metal in the second millennium? Witchfinder believes so: “At least from what I could gather there were no bands around the year 2000 that played the classic heavy metal style that adamantly. That was also a driving force behind starting the venture in the first place. Kind of: ‘This is the best music, why isn't anyone playing it? What are you guys THINKING?’ Although it took until 2005 for Helvetets Port material to be officially released. It's an honor to be considered part of the resurgence. Now that, as I said, heavy metal is here to stay, it's also an honor to be a part of its unbroken continuance.”
 
"Exodus to Hell" finde ich nach wie vor nicht besonders aufregend, aber sowohl die EP als auch das Metal Strike-Demo können einiges. Da hoffe ich nochmal auf eine gesammelte VÖ. & Hoffe dass ich aufs Storm Crusher kann, Linz letztes Jahr war ein Abriss!
 
"Exodus to Hell" finde ich nach wie vor nicht besonders aufregend, aber sowohl die EP als auch das Metal Strike-Demo können einiges.
Sehe ich ähnlich. Das Album ist längst verkauft, aber die Debüt-7'' war damals sehr erfrischend! Die "Man with the Chains"-EP kenne ich nicht (von "Lightning Rod Avenger" mal abgesehen...).
 
Die "Man with the Chains"-EP kenne ich nicht (von "Lightning Rod Avenger" mal abgesehen...).

Sind ja wieder nur drei Tracks - der okaye Titeltrack, "Lightning Rock Avenger" und dann mit "Crusaders Must Ride" fast die spannendste Nummer, die HELVETETS PORT meiner Meinung nach geschrieben haben. Klappt auf jedem Kauz- und Sword & Sorcery-Sampler. Und wenn ich so eine Art Coverversions-Amor wäre, dann würde ich WYTCH HAZEL einen Pfeil mit der Aufschrift 'Crusaders Must Ride' durch ihr blütenweißes Herz schießen und sie müssten die Nummer mal auf einer B-Seite verwursten.

->
 
Für mich ist das eine der wenigen Bands, bei der mir das Gesamtkonzept so gut gefällt, daß es eigentlich gar nicht so wichtig ist, ob die Nummern gut oder weniger gut sind. Aber meine Top 5 wären wohl
- Crusaders must Ride
- Lightning Rod Avenger
- Exodus to Hell
- Dying Victim of the City (Der Text!)
- und als Nummer 5 nehm ich den Katana Text (Enforcer), den ja Witchfinder geschrieben hat.
 
Ich bin Fan seit der ersten Single. Die Band hatte vom ersten Song an einen geilen, eigenen Stil mit absolutem Wiedererkennungswert. Die Songs sind richtig mutig, orientieren sich kaum an den gängigen und tausendmal abgenudelten Großen, dafür umso mehr an der Kauzigkeit und Kompromisslosigkeit diverser Untergrund Geheimtipps. Die Mucke ist für mich in puncto Breaks, Rhythmuswechsel und Melodieführung durch die Bank überraschender als 95% dessen, was sich heute "Prog" nennt, gleichzeitig aber auf ihre spezielle Weise extrem eingängig. Für mich klatschen Helvetets Port den Großteil der Bands, die heute im traditionellen Metal Underground hoch gehandelt werden, locker mit der Rückhand durch die Wand.
 
Ich bin Fan seit der ersten Single. Die Band hatte vom ersten Song an einen geilen, eigenen Stil mit absolutem Wiedererkennungswert. Die Songs sind richtig mutig, orientieren sich kaum an den gängigen und tausendmal abgenudelten Großen, dafür umso mehr an der Kauzigkeit und Kompromisslosigkeit diverser Untergrund Geheimtipps. Die Mucke ist für mich in puncto Breaks, Rhythmuswechsel und Melodieführung durch die Bank überraschender als 95% dessen, was sich heute "Prog" nennt, gleichzeitig aber auf ihre spezielle Weise extrem eingängig. Für mich klatschen Helvetets Port den Großteil der Bands, die heute im traditionellen Metal Underground hoch gehandelt werden, locker mit der Rückhand durch die Wand.
Ich muß deinen Beitrag gleich nochmal zitieren, dann lesen ihn hoffentlich doppelt so viele Leute. Unabhängig von der künstlerischen Integrität der Band ist "Ruled with an iron fist" ein echter Hit!
 
OUT TODAY!
Wer zufällig gerade in Göteborg ist, heute Releaseparty mit Video-Premiere.

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What are (and were) your aims and goals when you decide to form a band is strictly 70’s/80’s sounding Heavy Metal?

We’re not influenced by the 70s although we are influenced by 80s bands who themselves were influenced by the 70s. We try to distance ourselves from the recent 70s trend.

:verehr::verehr::verehr:

Interview@Queens of Steel
 
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