Detroit erste Nacht Detroit ZUGABEN inkl. on stage Übergabe der ersten Platin Scheiben.
hier ein kleiner Einblick warum und woher der ganze Kram auf einmal kommt.
Supposedly what happened recently was Gooch sold copies of these "one of a kind, never before seen" tapes to multiple people and told them they were the only ones who had it, but these people later found out that it was sold to several other people, so this guy uploading the stuff is probably pissed off and putting it out there for everyone to see for free as an F-You to Gooch. A similar thing happened in a Facebook group I used to be in. This guy had his own group where he was selling bootleg dvds for outrageous prices, and people were paying for them, but it was just stuff he bought from someone else or downloaded online, so the group I joined was just giving everything away for free. They'd email you the ISO files and you could burn the DVD yourself. It was the same idea though, basically to stop the other guy from trying to profit off them. I mean imagine paying 10 grand for that Largo 75 tape thinking you're the sole owner and now you can do whatever you want with it: license the footage out, sell bootlegs of it for whatever price you wanted and double your money, etc. but then you find out 20 other guys already have it and now your 10k "investment" is worthless.
Does the name Curt Gooch ring a bell? He is relatively well known in the KISS circles for being a video archivist of the band, co-writing KISS books (such as KISS Alive Forever, one of the best there is), and working on the KISSOLOGY DVDs. An individual/KISS collector under the alias “Sam Loomis” has spent top dollar for uncirculated video and/or audio, the videos being purchased from Gooch over the years with the promise that no one else had them. Truth be told, the various tapes Sam had purchased found their way into the hands of other KISS collectors such as Ros Radley (the brainchild of the Magic book fiasco) and others. In essence, Curt didn’t hold his end of the bargain and Sam has taken action by starting to upload the tapes they purchased onto YouTube so the owner of the material can’t enjoy the financial kickback of the material given that it is now available at everyone’s disposal for the magic four-letter word: free. As crazy as this backstory is, let’s get down to the reality of it all. The main purpose behind the selling of these sought-after recordings is two simple words: monetary gain. An anonymous-yet-reliable source claims that there have been cases where a group of five to ten people will join forces to buy uncirculated recordings and there is always going to be one person that wants to either break even or make a profit with the investment of said material. When one does that, it is when recordings leak out to other collectors and fans for free access. After all, if KISS or other official entities refuse to buy whatever material is presented to them, it is a last-ditch effort to sell it to collectors believing they are the only buyers of something exclusive. It is safe to say that there is some material that is in the hands of, not Gene Simmons and Paul Stanley as one would think, but in the hands of private collectors. For example: Winterland. We all know the black-and-white pro-shot from 1975 that appeared on KISSOLOGY Vol. 1. Rumor has it that there is a pro-shot of a Winterland show from 1974 that exists and was attempted to be sold for $20k-$30k to Gene and Paul, which they denied. At this rate, Loomis is uploading full/partial shows on a weekly basis. You can start counting down the days as to when the next thing they upload drops and all can speculate on what it could be. Could it be the two missing shows from Cobo Hall in 1977? Winterland 1974? Another Capitol Centre show from 1976? Tokyo 1978? A Creatures of the Night pro shot? All is to be revealed in the upcoming weeks. Sam Loomis, if you’re out there and you read this: it is a shame you were cheated and you are justified for your revenge. Just know that the KISS Army at large appreciates it.
Mit Modern Day Delilah, All for the Glory, I'm an Animal und dem abschließenden Say Yeah sind jedenfalls richtige Knaller dabei, die sich auf jedem Kiss Album gut gemacht hätten. Genau so wünsche ich mir eine Kiss Platte in der heutigen Zeit (8/10). 
